Sarah Jessica Parker Reflects On Carrie And Big’s Troubled Romance In ‘And Just Like That...’

For fans of the “Sex and the City” franchise, the romance was less of a love story and more of an emotional obstacle course.
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When you look up the definition of a “toxic relationship,” you might just find a photo of Carrie Bradshaw and Mr. Big.

Across six seasons, two movies and now a revival (“And Just Like That…”), “Sex and the City” fans watched as Carrie (Sarah Jessica Parker) and Big (Chris Noth) danced between desire and dysfunction, heartbreak and reunion.

And just like that, Parker reflected on the enduring messiness of that iconic on-screen relationship in an interview with E! News published Tuesday.

“All of it was a mess, and all of it was wonderful,” she said. “It was romantic, and it was a disaster. It was destructive, and it was healthy.”

Chris Noth and Sarah Jessica Parker on location for “And Just Like That” on Nov. 7, 2021, in New York City.
Chris Noth and Sarah Jessica Parker on location for “And Just Like That” on Nov. 7, 2021, in New York City.
Gotham via Getty Images

The relationship may have ended with a wedding — and then, heartbreakingly, with Big’s death in the first season of the reboot — but it was never simple. Parker also admitted the loss wasn’t easy to portray.

“Big dying was really, really hard to do both professionally and personally,” she shared. “That’s not just a thread. It’s one of the main arteries that you would struggle to do without.”

While Parker called it “sad to say goodbye” to that chapter of her character’s life, she described the arc as a “wonderful story to tell for a lot of years.”

Chris Noth and Sarah Jessica Parker in a scene from "Sex and the City."
Chris Noth and Sarah Jessica Parker in a scene from "Sex and the City."
Photo by HBO/Getty Images

In an April interview on “Today With Jenna & Friends,” Parker was asked if she had ever second-guessed any of Carrie’s choices.

Her answer? A simple “No.”

“It’s been such a sort of extraordinary experience,” she explained. “I try to describe it as being contractually obligated to play somebody else, be somebody else, for about 27 years.”

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